![]() ![]() ![]() I found myself anxious for her to get her point made and move on. However, the style seemed stilted and detached. : Negotiating With the Dead : A Writer on Writing (9781844080274) by Atwood, Margaret and a great selection of similar New, Used and Collectible. In what ways, if any, does talent set you apart? Does it exempt you from the duties and responsibilities expected of others? Or does it load you up with even more duties and responsibilities, but of a different kind? Are you to be a detached observer…? Or ought you to be a dedicated spokesperson for the downtrodden of this earth…? She does have some very interesting points to make, and questions to ask. I cannot help but compare them, and I find this one better than Bradbury’s, but not so helpful (or entertaining) as King’sĪtwood clearly gave a lot of thought into the lecture series and she references many writers and books in a range of genres, though she does tend to rely most on classics / literary fiction and poetry. I read Ray Bradbury’s Zen in the Art of Writing last month and am just about to finish listening to Stephen King’s On Writing: A Memoir of the Craft. Somehow, I’ve found myself reading books about writing this past year. ![]() ![]() The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of Western literature. This book is the result of that experience. Margaret Atwood's wide reference to other writers is balanced by anecdotes from her own experiences, both in Canada and on the international scene. The series of six presentations were intended for scholars, students and the general public. Alternate or Subtitle: A Writer on WritingĪtwood was asked to give the Empson lectures at Cambridge University in 2000. ![]()
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